统一影视TV-海量高清高清视频免费在线观看 统一影视TV-海量高清高清视频免费在线观看
收藏
5.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
740次评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
扫描观看

扫描一扫app播放

  This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.  Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.  One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
展开

资源列表

相关明星

相关影片

出走的决心
  影片根据50岁阿姨自驾游真人故事改编。  天真浪漫的李红(咏梅 饰)一生有过许多梦想,18岁时憧憬大学,25岁时憧憬爱情,45岁时憧憬远游……但为了那些“对别人来说更重要”的事,她只能一等再等,也
一次失误
  伊丽莎白是一位天才外科医生,也是医院里唯一的女性顾问。但在为一位年轻女性做手术时,事情出现,产生,形成,酿成了可怕的变化。在一项公开报告外科医生展现,呈现,显现,体现的新计划中,她的同僚,工友,伙
  • 片名:冰刀
  • 状态:HD
  • 主演:卡罗尔·贝克 艾伦·斯科特 
  • 导演:翁贝托·伦齐 
  • 年份:1972
  • 地区:其它
  • 类型:剧情 
  • 频道:内详
  • 上映:未知
  • 语言:其它
  • 更新:2024-11-03 01:45
  • 简介:  This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.  Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.  One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
搜索历史
删除
热门搜索
本地记录
登录账号