统一影视TV-海量高清高清视频免费在线观看 统一影视TV-海量高清高清视频免费在线观看
收藏
3.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
499次评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
扫描观看

扫描一扫app播放

  Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.  The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).  Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).  As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.  The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.  For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.  The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)  Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.  This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.  As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
展开

资源列表

相关明星

相关影片

罪人2025
双胞胎兄弟(迈克尔·B·乔丹 Michael B. Jordan 饰)试图摆脱不愉快的过往,回到家乡想重新起始,开端,肇始,启始,但却发现更为恐怖的险恶,凶恶,歹毒,恶毒势力正等待着他们的回归……
恐怖猴玩偶
Upon their mother’s death, siblings Jenny and Marshall return to renovate her crumbling motel, The J
逃出生天
在一个风景如画的岛屿度假村,十名年轻女性被一个暴力团伙绑架,准备卖给一个海外客户。在绝望中,一名机智的护士和一名不屈的舞者联手制定了一个大胆的逃生方案。她们必须在荒凉的沙漠中与贩子们展开惊险刺激的对决
云中怪物
A magnetic force pulls a small plane into the bermuda triangle, now a group of friends find themselv
身体集合.zip
老么記者詩京潛入邪教團體取材。詩京被受邀參加特別的儀式,信徒們依序祈願並獻上祭品。接著終於輪到詩京了,這時她才驚覺祭品竟然是身體的一個部位,這令她衝擊不已。眼睛、鼻子、嘴巴……圍繞在身體各部位的6個故
致命玩偶2025
迷信网络信息的妻子雪青(王敏奕 饰)和丈夫浩华(张兆辉 饰)痛失独子,精神崩溃的她通过网络找到了灵婆梅姨(罗兰 饰)并请回了一个被孩子,男孩,少年,男童“附魂”的布娃娃,随后家中诡事不断……
杀人狂魔
妈妈,母亲大人,娘亲,老妈妈的意外丧生让弗兰克(伊利亚·伍德 Elijah Wood 饰)陷入了深深的痛苦之中,虽然妈妈,母亲大人,娘亲,老妈妈生前并非善类,甚至动辄就对弗兰克拳打脚踢,但在弗兰克的心
罗萨里奥
萝赛李奥(埃默罗德·图比亚 饰)是一名成就,胜利,凯旋,成果的华尔街股票经纪人。某天,萝赛李奥接到祖母意外过世的消息,于是前往祖母居住的公寓查看状况。因为暴风雪的关系,萝赛李奥被迫与祖母的遗体共度一夜
恐惧街:舞会王后
欢迎回到荫城。在血腥的《恐惧街》系列的新一部作品中,荫城高中的舞会季已经起始,开端,肇始,启始,学校里那群典型的“校花”们正忙着像往常一样,进行甜美又残酷的舞会皇后争夺战。但是,当一个大胆的局外人也加
纠缠2024
一位年轻的IFS官员的旅程,她属于一个显赫的爱国者家庭,在远离家乡的地方,在一个决心,打算,计划,准备职业生涯的职位上卷入了一个危险的个人阴谋。
大力杀手波派
一群好奇的伙伴,好友,挚友,密友悄悄潜入一座废弃的菠菜罐头厂,准备拍摄一部关于“大力水手”传说的纪录片。据说,水手幽灵常常在这座工厂和附近的码头游荡,诡异的传闻笼罩着这一片阴森之地。
直到黎明
一群青少年探寻一座废弃的游客中心,却意外经历,碰到,遇到,邂逅蒙面杀手的残忍屠杀,并陷入会在死后回到前一天傍晚的无限循环之中!而打破这场死亡循环的唯一方式,就是活到黎明……
这是个适合死去的好日子
一名逃亡黑帮分子爱上了一位迷人的艳舞女,引发了一系列令人心跳加速的意外转折和背叛。
刺心切骨
哥哥温子涵出狱了,一下子拂乱了弟弟子滐和妈妈安静,宁静,沉静,恬静的日常,生存,生计,日子。子涵曾为击剑冠军,数年前因一起赛场杀人案,一夕间从云端坠落低谷。被伤透心的妈妈打定主意和大孩子,男孩,少年,
死神来了6:血脉诅咒
大学子,门生,弟子,学员史蒂芬妮(凯特琳·桑塔·胡安娜 Kaitlyn Santa Juana 饰)饱受反复出现的暴力恶梦所困扰,于是决心,打算,计划,准备回到家乡,搜寻,寻觅,查找,探寻唯一可能打破
手机见鬼
Lily是为了吸引SNS粉丝并赚钱而经常直播的小女孩。她在网上很受欢迎,但在学校被欺负,甚至知道男伙伴,好友,挚友,密友和她最好的伙伴,好友,挚友,密友出轨了。过着乱七八糟的日常日常,生存,生计,日子
焦点悬疑
Leo is a successful author of mystery novels, who writes under a pseudonym. While penning his next b
闹鬼领域2:K小姐
妈妈,母亲大人,娘亲,老妈妈去世后,因为阿尔玛在 Sasmaya 公寓找到了一份经理的职业,事业,工作岗位,职责,她和妹妹米娅从雅加达搬到了泗水。由于意外,阿尔玛和米娅来到了封闭的6楼,去往了 610
伊薇2021
As a child, Evie lost herself in the myths and legends of the sea while her family collapsed around
幽灵夏日
Somewhere in the Brazilian seaside, teenagers Lucas and Martin fall in love while investigating the
丑陋的继姐
埃尔维拉为了与她那美丽得令人发狂的继姐竞争,不惜一切代价。在这个童话王国里,美貌是一桩残酷的生意,她用鲜血、汗水和泪水奋斗,拼搏,奋进,进取吸引王子的目光。这是一个对经典《灰姑娘》故事的扭曲诠释,演译
  • 片名:外星恶客
  • 状态:HD
  • 主演:Marshall Thompson Shirley Patterson Kim Spalding 
  • 导演:Edward L. Cahn 
  • 年份:1958
  • 地区:美国
  • 类型:恐怖 
  • 频道:内详
  • 上映:未知
  • 语言:英语
  • 更新:2024-11-03 02:21
  • 简介:  Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.  The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).  Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).  As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.  The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.  For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.  The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)  Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.  This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.  As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
搜索历史
删除
热门搜索
本地记录
登录账号