统一影视TV-海量高清高清视频免费在线观看 统一影视TV-海量高清高清视频免费在线观看
收藏
9.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
179次评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
扫描观看

扫描一扫app播放

  2018年5月和6月,Jean Gabriel P_Riot与位于Ivry Sur Seine的一所高中的10名电影班学子,门生,弟子,学员合作,开展了一项将电影与政治结合起来的项目。学子,门生,弟子,学员们在摄像机前和摄像机后职业,事业,工作岗位,职责,重新布置罢工、抵抗和劳资纠纷的场景,这些电影可以追溯到20世纪60年代末到70年代末,包括让-卢克-戈达尔和阿兰-坦纳的电影。nos d_faites汇集了调查结果,并增加了采访,在采访中,导演询问学子,门生,弟子,学员他们刚刚表演的场景,关于“阶级”、“工会”和“政治参与”等概念,以及更广泛的社会背景。这是一个简易,简约,朴素,单纯,但尖锐的设置,让观众一瞥年轻一代如何看待政治和过去的政治电影。这部影片还记录了导演试图激怒学子,门生,弟子,学员的企图。在导演和学子,门生,弟子,学员似乎处于平等地位的经历,碰到,遇到,邂逅中,基于从未见过的导演更多类似于教师,导师,师长,恩师的提问,以及此时此刻对革命的思索,沉思,思量,思虑:起义的展现,呈现,显现,体现反映了同样的情况。这会导致一个真实的出现,产生,形成,酿成吗?  In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?  回到1968年的电影时代,持续,延续,存续,连续对重放从过去跳出来的电影节选的年轻人进行今天的采访,我们的失利,挫折,受挫,败北刻画,描摹,勾勒,描述了我们当前与政治的关系。我们的失利,挫折,受挫,败北,还是我们有足够的力量来面临,直面,应对,应付今天的混乱?  By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
展开

资源列表

相关明星

相关影片

沙特职业足球联赛:踢出新纪元
  在这部扣人心弦的足球系列纪录片中,国际巨星携手当地足球明星驰骋赛场,彻底转变,变化,蜕变,变迁了联赛的2023-2024赛季
立即购买:消费的阴谋
  揭开世界顶级品牌的面纱,揭露那些让我们不计成本、陷入无休止的购买循环的隐藏手段和隐秘策略。
  • 片名:我们的失败
  • 状态:HD
  • 主演:Swann Agha Natasha Andraos Ghaïs Bertout-Ourabah Jackson Ellis Julie Escobedo Rosalie Magnan Alaa Mansour Marine Rouie Floricia Yamondo Martin Zellner 
  • 导演:让-加布瑞·贝里奥 
  • 年份:2019
  • 地区:法国
  • 类型:记录 
  • 频道:内详
  • 上映:未知
  • 语言:法语
  • 更新:2024-11-02 18:07
  • 简介:  2018年5月和6月,Jean Gabriel P_Riot与位于Ivry Sur Seine的一所高中的10名电影班学子,门生,弟子,学员合作,开展了一项将电影与政治结合起来的项目。学子,门生,弟子,学员们在摄像机前和摄像机后职业,事业,工作岗位,职责,重新布置罢工、抵抗和劳资纠纷的场景,这些电影可以追溯到20世纪60年代末到70年代末,包括让-卢克-戈达尔和阿兰-坦纳的电影。nos d_faites汇集了调查结果,并增加了采访,在采访中,导演询问学子,门生,弟子,学员他们刚刚表演的场景,关于“阶级”、“工会”和“政治参与”等概念,以及更广泛的社会背景。这是一个简易,简约,朴素,单纯,但尖锐的设置,让观众一瞥年轻一代如何看待政治和过去的政治电影。这部影片还记录了导演试图激怒学子,门生,弟子,学员的企图。在导演和学子,门生,弟子,学员似乎处于平等地位的经历,碰到,遇到,邂逅中,基于从未见过的导演更多类似于教师,导师,师长,恩师的提问,以及此时此刻对革命的思索,沉思,思量,思虑:起义的展现,呈现,显现,体现反映了同样的情况。这会导致一个真实的出现,产生,形成,酿成吗?  In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?  回到1968年的电影时代,持续,延续,存续,连续对重放从过去跳出来的电影节选的年轻人进行今天的采访,我们的失利,挫折,受挫,败北刻画,描摹,勾勒,描述了我们当前与政治的关系。我们的失利,挫折,受挫,败北,还是我们有足够的力量来面临,直面,应对,应付今天的混乱?  By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
搜索历史
删除
热门搜索
本地记录
登录账号